Monday, 18 March 2013

Justin Moorhouse, Chorley Little Theatre, 16 March 2013


Justin Moorhouse is fat.  But not fat in a bad way.  He’s more of your affable Hairy Biker kind of fat, the sort of genial fat bloke who’d elbow his way past you in his eagerness to get to the cream cake counter at Greggs and crack a gag in the process such that you wouldn't mind him beating you to the last eclair.

And Moorhouse is comfortable with his size.  It's not glandular or due to big bones.  It is, as he tells a packed house at Chorley Little Theatre, because at home the biscuits are next to the kettle.

Food is a subject close to Justin's heart and at different points in his act the biscuits, a sausage roll and a Ginster's steak slice all feature.  But it isn't just about food, and in a two hour set he also talked about his relationship with his teenage son, his eight year old daughter's obsession with Catholicism and whether, when the rest of the country was facing civil unrest, riots in Euxton and Whittle-le-Woods were ever a realistic proposition.  His conclusion?  They weren’t.

He has a go at teachers in a ‘I’m not having a go but –‘ kind of way which even the teachers in the audience could not help but laugh along at, before - and using an image that will be instantly familiar to everyone who's ever been on a Sunday outing with their family - recounting a childhood visit to Botany Bay that came to an abrupt halt when his father refused to pay the admission.  His own visit to an owl sanctuary as a parent witnessing bored dads trying to get a 3G signal in order to watch the football on Sky on their smartphones also resonated. 

Moorhouse wasn’t afraid to be edgy – his jokes about Paralympian swimmers and the Asian guy running his corner shop had the audience wondering whether they dare laugh or not while he showed that beneath the affable exterior lies an experienced comic when he dealt firmly with a drunken heckler who, having slept through the first hour of his act, started to shout incoherently.

A good comedian draws you into their world, settles you into your seat with an introductory gag or two and then takes you on a journey looking at things you might not have thought you were going to spend your evening contemplating.  So it was with Justin Moorhouse.  Gay sex, teenage masturbation and paedophilia were probably not topics that the audience were expecting to be listening to as they sat eating their pre theatre madras in the curry houses of Chorley, nor where they thought Moorhouse would be taking them when he stepped onto the stage and blinked at them from behind his spectacles.  But that’s where he took them.  And they loved him for it.

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